Just Finished: A Scanner Darkly
I picked up Philip K. Dick’s A Scanner Darkly at Powell’s in Portland on my way through town, partly because I’d read none of Dick’s novels, partly because of Richard Linklater’s forthcoming adapation, in which he uses the animation technique pioneered in Waking Life. Most filmmakers try to graft lame sci-fi action over Dick’s paranoid explorations of memory and identity, but Linklater’s film looks fairly faithful to the spirit of its source.
Undercover cop Bob Arctor is addicted to a drug called Substance-D, which eventually breaks down the connections between left and right brains. Over the course of the novel, Arctor and his police pseudonym “Fred” become decreasingly aware they are the same person. Dick reflects this in his prose, making it more disjointed and difficult to read, until he delivers his final tragic plot twist. Once I realized what he’s doing, the whole book became a rather fascinating exercise in style.
Given that most of the characters are junkies, some of Linklater’s casting choices (Keanu Reeves, Woody Harrelson, Robert Downey Jr) become meta-funny. Appropriate though, since Dick’s novel contains such a surprising level of humor in the early to middle sections. I haven’t spent much time around junkies, but their portrayal here, positive and negative, rings true.
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